Neal Peart on Learning to Drum Again
In this edition of "The Thinking Drummer" nosotros're going to take a different view of the levels of mastery as explained by Neil Peart.
I recently posted a prune of a Neil Peart interview on social media. In it, Neil discusses why the Rush song "Tom Sawyer" is then difficult to play. That, on its own, is fascinating. Watch the clip for his accept on it. But even deeper and more than of import was Neil'southward thoughts on the multiple levels of mastery, which follow the discussion of "Tom Sawyer."
Role of what is really interesting almost Neil'due south thinking at the time of this interview is that he's got a long view of his journey equally a drummer. The interview was conducted in 2012 and Neil Peart joined Blitz in 1974. That's 38 years.
Neil talks about playing the songs from "Moving Pictures" subsequently having recorded that album in 1980. The interview was simply prior to Rush going out on tour to gloat the release of the album. Neil is well-known equally a drummer who e'er worked to get amend. And here in this interview, we go to hear his thoughts on his development as a drummer over time.
His comments are profound.
Why not have a look and mind? The video is merely sixty seconds. His wisdom is well worth the fourth dimension.
Peart explains that equally a drummer in a band like Rush, he wants to exist able to play with "Strength and smoothness," which is a truly elegant fashion to draw being able to play rock music. Every bit a rock drummer, yous generally need to exist able to hitting hard but you desire that ability while maintaining finesse. "Force and smoothness" is the perfect manner to draw that and I've never heard information technology said that manner until I saw this video.
That combination of two elements that Neil covets was the result of him pursuing three things:
ane) Technique
First, the technical facility is required in gild to execute on the drums with ability and finesse. The difficulty of this step can non be overlooked. I've found that one of the hardest things in drumming is developing a fluid technique that allows for power, looseness, speed and flexibility. Much patience is required in this undertaking.
2) Accuracy/Control of Time and Subdivisions
Next, Neil describes needing to be able to play to a click and exist authentic in executing his parts in the studio. This control over timing and switching between rhythms with precision is of import for all drummers (and all musicians). Again, this takes time and a lot of practise. Can you lot play all your fills without speeding up? Can yous switch back and forth between triplets, sixteenth notes, eighth notes etc effortlessly while maintaining the tempo perfectly?
3) Experience
Once the two elements described above are in command, you've got a lot happening, but it'due south not enough. The music has to experience good and a stiff feeling drummer who doesn't groove is going to have problems. Then, Neil, with the self-awareness and wisdom he had, realized he needed his feel to be developed too. With that in place–in addition to the first two–any drummer is well on his or her mode to being great.
Where Are You In All This?
A good thing to consider is where you are in this hierarchy of skills. What are your weaknesses? These 3 elements are critical, and so make sure yous have the self-awareness and maturity to brand that evaluation or get some help from a trusted outsider to help y'all figure it out. And so, do the work required and evaluate again.
And allow'southward thank Neil Peart for such an elegant way of looking at all this and being such a great role model every bit a drummer.
- Author
- Contempo Posts
Mark Feldman is a session drummer from NYC.
He first gained attention as one of the winners of Modern Drummer magazine's very get-go drum solo competition, judged by Blitz's Neil Peart.
He's played with Oz Noy, Volition Lee, Alison Krauss, Curtis Stigers, Emily Remler, Joel Hoekstra, GE Smith, Andy York, Marshall Crenshaw, Tony Shanahan, The Drifters, The Marvelettes, Big Brother and The Holding Visitor, and many other artists.
For more info: onlinesessiondrummer.com
Source: https://www.bangthedrumschool.com/neil-pearts-on-the-3-elements-of-drumming-mastery/
0 Response to "Neal Peart on Learning to Drum Again"
Enviar um comentário